74 things from this book went into her brain. Here are the first 6.
In Around the World in Eighty Days, Verne shows Fogg giving quietly and without fuss to whatever is noble or useful, and keeping his own affairs to himself.
Jules Verne shows Phileas Fogg playing whist not to win but for the struggle itself, a steady contest with a difficulty that suits his nature.
Verne ends his long picture of Fogg's ordered life with a thought worth keeping: there is something good in eccentricity, even when it looks odd from outside.
In Around the World in Eighty Days, Verne shows Fogg never taking a step too many and always choosing the shortest way, so he reaches each destination exactly on time.
In Around the World in Eighty Days, Fogg trusts that careful use of the time he has will carry him through, so good planning means spending time well rather than padding it.
Verne shows Fogg staking only what he can afford to lose and planning for the costs he expects, so his wager is a considered risk rather than a gamble.
In Around the World in Eighty Days, when a crowd of doubters write off a bold plan, a few onlookers simply ask why it could not be done, a reminder to stay open to the unlikely.
Verne shows a betting crowd piling in on a bold idea and then dropping it at the first doubts, a reminder that popular enthusiasm tends to follow the news rather than the facts.
Verne lets the consul notice that the robber's description looks like an honest man, a sensible reminder that a description is not the same as the person it describes.
In Around the World in Eighty Days, Fogg keeps a methodical record of each arrival against his plan, so he always knows whether he is behind or ahead of time.
Verne shows Fogg keeping his composure when the Red Sea turns rough, thinking through what might slow him without letting worry show on his face.
Passepartout, seeing Aden for the first time, decides that travel is never useless for a man who wants to see something new, a plain idea that still holds.
In Around the World in Eighty Days, Passepartout walks into a temple without learning its customs, and curiosity turns out to be no excuse for ignoring the local way of doing things.
Verne has Passepartout fret at every delay and curse the train, yet his fretting never made a train run any faster, a lesson many people still need.
When the railway stops short in the Indian hills, Fogg stays calm because he expected some obstacle to turn up. Having allowed for it, he simply finds another way forward.
When the search for transport comes up empty, Passepartout looks around again and spots an elephant. Verne suggests that a second pair of eyes often finds what the leader has missed.
Verne shows the reserved Fogg, who rarely shows feeling, suddenly proposing to act when he sees a wrong done. Courage can sit quietly under a calm exterior.
When a rescue plan fails at the last wall, Verne's Fogg stays calm and waits, reasoning that a chance lost now may come back at the very last moment.
Verne has Passepartout rescue the young woman by a bold trick under cover of smoke, a reminder that courage often comes from the person nobody expected.
Fogg pays his guide the agreed fee and then gives him the elephant, saying he has paid for the service but not the devotion. Real gratitude goes beyond the contract.
When the others praise his rescue, Passepartout keeps saying it was not worth telling. Verne shows that modesty about a brave act is a quiet kind of good character.
Verne shows Fogg, who rarely talks, caring for Aouda by visiting her to sit and listen rather than speak. Quiet attention can be a real form of kindness.
Verne's detective Fix, after two failures, grows so fixed on one outcome that he cannot think of anything else. A goal pursued past all sense can blind a person to the facts.
Fix builds a theory about Aouda from guesses and suspicion, and it begins to feel like evidence. A guess that fits what we already fear is worth checking before we act on it.
When a puzzle keeps tangling, Verne's detective Fix decides to speak plainly with the servant instead of guessing for longer. Clear questions often end a muddle faster than more suspicion.
Verne shows Fogg getting exactly the fact he needs by asking the pilot one calm, precise question. Asking the person who knows, plainly, saves a great deal of worry.
Passepartout refuses a bribe to betray his master, saying he has seen the man's generosity and goodness for himself. Loyalty built on what you have seen with your own eyes holds firm.
In Around the World in Eighty Days, Verne shows Phileas Fogg meeting a missed steamer with calm, treating it as a passing accident and moving on.
In Around the World in Eighty Days, Fogg answers a setback by searching on rather than sitting still, and that persistence is what finds him another boat.
In Around the World in Eighty Days, Aouda agrees to a dangerous sea voyage simply because she trusts the man leading it, and her trust shows how much courage can come from believing in someone.
In Around the World in Eighty Days, Fix feels humbled by accepting kindness from the man he is chasing, and Verne lets that discomfort show that even a hard pursuer is not wholly hard.
In Around the World in Eighty Days, Fix offers to pay his share, and Fogg waves it off as part of his general expenses, showing a generosity that never needs to be spoken about.
In Around the World in Eighty Days, Aouda steadies herself by watching her protector stay calm in the storm, showing how one person's composure can give courage to another.
In Around the World in Eighty Days, Fogg's steady resolve brings the pilot round to a plan he had just refused, showing how calm certainty can lift others past their doubts.
In Around the World in Eighty Days, Passepartout wakes from his drugged stupor because a duty is still unfinished, showing how a sense of responsibility can pull a person back to themselves.
In Around the World in Eighty Days, Passepartout's rage cools once he sits down to study his situation, a useful habit whenever a plan has gone wrong.
In Around the World in Eighty Days, Passepartout exhausts every other option before he will ask for help, a habit worth keeping when pride tempts us to reach for others too quickly.
In Around the World in Eighty Days, Passepartout turns a humbling disguise into a joke about the carnival, showing how a light heart can carry a person through hard days.
In Around the World in Eighty Days, Passepartout tells himself not to lose his head, then sets out a plan step by step, a habit that serves anyone in a tight spot.
In Around the World in Eighty Days, Passepartout takes an undignified job because it moves him toward his goal, showing that a modest step taken with good sense still counts as progress.
In Around the World in Eighty Days, Fogg meets Passepartout's costly blunder with forgiveness and a practical next step, showing how a steady leader keeps people close after their mistakes.
In Around the World in Eighty Days, Passepartout keeps Aouda's spirits up by reminding her how far they have already come, showing how encouragement built on real progress steadies a worried person.
In Around the World in Eighty Days, Fogg measures his progress by the distance actually covered rather than the surface measure, a useful reminder to judge a long effort by what it has really achieved.
In Around the World in Eighty Days, Fix keeps his cool after a beating and asks for a word in his master's interests, showing that composure can open doors that anger keeps shut.
In Around the World in Eighty Days, Fix switches sides only because it now suits him, and Passepartout's wary 'allies, perhaps' shows that an alliance built on self-interest should be held at arm's length.
In Around the World in Eighty Days, Fix takes a blow meant for Fogg, and Verne lets one rival's courage show that an enemy can still be a decent person.
In Around the World in Eighty Days, the engineer will not force his train through a herd that would derail it, and Verne shows that waiting patiently and making up the time later is often the wiser course.
In Around the World in Eighty Days, the railway engineers wind around the mountains rather than forcing a shortcut through them, a useful lesson for any plan that meets stubborn ground.
In Around the World in Eighty Days, Aouda steers her companions away from a confrontation, showing that a wise friend weighs what a fight would cost before the fight begins.
In Around the World in Eighty Days, a signal-man's warning about a shaky bridge is taken seriously because he has no reason to exaggerate, a reminder to weigh the word of people who know the ground best.
In Around the World in Eighty Days, Passepartout's sensible suggestion is brushed aside as cowardice, and Verne shows how a crowd's pride can overrule the careful voice in the room.
In Around the World in Eighty Days, Fogg answers an insult with cool courtesy and keeps playing his cards, showing that calm can deny a bully the heat he is looking for.
In Around the World in Eighty Days, Aouda fights back with a revolver through a broken window, showing that courage often means refusing to be a passenger in your own story.
In Around the World in Eighty Days, Passepartout saves the train by using an acrobatic skill from his younger days, showing that abilities from an earlier life can be exactly what a crisis needs.
In Around the World in Eighty Days, Fogg risks his wager to go after a servant who may be lost, and Verne shows a man who measures his choices by duty rather than by what they cost him.
In Around the World in Eighty Days, Fix finds he cannot walk away from the man he was hunting, and Verne shows how shared hardship can turn a rival into a companion.
In Around the World in Eighty Days, Aouda keeps watching the snow through the long night, showing that loyalty is sometimes an act of waiting as much as an act of doing.
In Around the World in Eighty Days, Fix offers a bold new route after a setback, showing that a person who stays in the game often finds a sharper idea than the one they lost.
In Around the World in Eighty Days, Fogg takes up an odd offer of a sledge without hesitation, because a chance to win back lost time is not one to turn down.
In Around the World in Eighty Days, Aouda refuses to be sent somewhere safer and stays with the man she has chosen, a quiet reminder that people pick their own place in a hard journey.