71 things from this book went into her brain. Here are the first 6.
In An Old Mate of Your Father's, Henry Lawson shows children meeting a rough, half-forgotten friend of their father with easy warmth, and how kindness can outlast the years.
In An Old Mate of Your Father's, Henry Lawson asks whether the old mates were kinder to each other than his own generation is to its fathers, and fears the honest answer is no.
In Settling on the Land, Lawson follows Tom through one setback after another, and the comedy of his stubbornness is also a portrait of courage.
In Settling on the Land, Jacob sits with a ruined Tom through the hailstorm, then brings wine and a tune. Lawson shows that kindness in hard times often needs no speeches.
In Enter Mitchell, a swagman will not be ashamed of his worn swag or his old dog for anyone's sneer, and Lawson shows that an honest life carried for years deserves respect.
In Stiffner and Jim, Lawson shows how a man who decides honesty only makes a fool of him can talk himself into every petty dodge, and how easily that belief spreads to his mates.
In When the Sun Went Down, Lawson shows Tom torn over a quarrel with his brother until the wrath he has been nursing turns into fear for him. Old advice about not letting the sun go down on anger still holds.
In The Man Who Forgot, Lawson shows Tom taking under his wing a man others mock. Tom's loyalty to the vulnerable, even when it makes him unpopular, is a quiet kind of decency.
In Hungerford, Lawson watches a storekeeper hand a broke swagman rations for the road, and suggests such unrecorded kindnesses are written down somewhere else.
In His Country-After All, Lawson lets a quiet coach driver stand by his own view of Australia against a loud, bitter stranger, and the silence he leaves does the arguing.
In His Country-After All, a man who swore never to go back is undone by the smell of gum leaves, and Lawson shows how much of home stays in a person long after they have left it.
In A Day on a Selection, Lawson shows a farmer who spends hours at a fence calling a row of sticks an orchard. Activity that only looks like progress is an old trap, and it is one small business owners still fall into.
In That There Dog o' Mine, a battered shearer refuses to be admitted to hospital unless his loyal old dog is taken in too. Lawson shows that a true mate is measured by who stood by whom.
In Going Blind, Lawson shows that real care is often quiet and practical, such as a brother handling a blind man's boots, tie and collar without any fuss.
In Arvie Aspinall's Alarm Clock, Lawson mocks a newspaper that turns a poor child's hardship into a tidy sentimental story. Charity done for the giver's credit tends to help the giver more than the child.
In Arvie Aspinall's Alarm Clock, a boy starts to doubt a verse engraved on his clock. The story is a reminder to test the sayings we repeat without thinking, and to ask whether they hold for real people.
In Stragglers, Lawson looks at a ragged swagman and admits he might be a very different man under kinder conditions. Hard circumstances can make people look worse than they are.
In The Union Buries Its Dead, Lawson shows a drunk shearer pulling himself together to show respect for a stranger's funeral. Lawson suggests respect is often shown in small, honest acts rather than in the grand show of a funeral.
In The Union Buries Its Dead, Lawson notes that a drowned stranger was buried under a name that was not even his, and that the mourners already cannot recall it. Every stranger, he suggests, was once somebody's son.
In In a Dry Season, Lawson notes that stranded workers are helped by a publican and a coachman, while the wider system leaves them to fend for themselves. He treats that gap as a fact worth remembering.
In He'd Come Back, a teller turns a desertion into a tale of repentance and his mates lap it up. Lawson shows how a good story can quietly excuse a man from what he did.
In Drifted Back, a man returns to his old town after fifteen years and finds that the people he came to see have gone. Lawson shows how hard it is to go back to a place that has moved on without you.
In While the Billy Boils, Henry Lawson shows two old mates keeping in touch through small gestures, like a newspaper sent along with a few marked crosses.
Henry Lawson shows that old friends can stay close through good-humoured teasing, even when they still argue over everything.
Henry Lawson admits that a small piece printed in a local paper, marked up by an old mate, can mean more to a writer than praise from far-off critics.
In While the Billy Boils, the landlord shows that a plain, honest request would have served the two travellers better than sneaking off in the night.
Henry Lawson shows a boy who takes pride in doing his share beside his father, while Long Bob quietly looks out for him by pretending he is only passing the time.
In While the Billy Boils, Henry Lawson shows a father who keeps his hands busy with steady work while he carries a grief he cannot speak about.
Henry Lawson shows a man who keeps going after great loss, because a child still needs him and that duty holds him up.
In While the Billy Boils, poor fossickers pool what little they have, a table and a shirt, to give a dead child a decent farewell.
Henry Lawson shows a stranger offering a grieving man the simple gift of a mate, asking gently whether he wants another mate.
In While the Billy Boils, a cook's quiet complaint about endless work shows how the men who lean on someone hardest often never notice the load.
Henry Lawson argues that a poor man keeps his dignity only when he can rest and wash in some privacy, and that city poverty strips that away and leaves him feeling like a criminal.
Henry Lawson tells of a poor office man who quietly leaves food out each night for a hungry stranger, asking nothing in return, and shows kindness that goes unseen.
Henry Lawson observes that customers chase the cheapest option until the weaker rival is gone, and then pay far more for worse service.
After losing a coin on a rough crossing, Henry Lawson's narrator shares a drink with a stranger and decides to let the loss go and enjoy the company.
In 'Some Day', Lawson shows a man who keeps promising to go back to the girl he loved, until years of drifting have made the choice for him.
In the Billy Nowlett yarns, Lawson shows how one unchecked letter can change what a family believes about a person, so it pays to check news before you act on it.
In 'Brummy Usen', Lawson shows a crowd so set in its view that it ignored the one woman who knew the truth, and it kept arguing the point until she died.
In The Drover's Wife, Lawson shows a woman who is frightened but not a coward. Her courage is quiet and practical: she keeps going through the night, alone and worried, because her children need her.
In The Drover's Wife, Lawson shows that a person can fight hard against a flood or a fire and still lose, and that getting back to the work anyway is its own kind of courage.
Lawson gives his bushwoman a keen sense of the ridiculous, so that she can laugh at her own tears and her handkerchief full of holes. A dry sense of humour can carry a person through a bad hour.
At the end of The Drover's Wife, Lawson shows a boy who sees his mother's tears and throws his arms around her. It is a small act of tenderness, and it shows what children notice.
In An Unfinished Love Story, Lawson has Brook look back on his hard childhood with contempt rather than pity. It is a quiet warning about how easily a person forgets where they came from.
In An Unfinished Love Story, Lawson shows Brook pressing a hesitant young woman for promises she is not sure of. The story shows that pressure is not the same as care, and that a person's doubts deserve to be heard.
In His Colonial Oath, Lawson notices that living in the city can leave a man out of touch with his old mates, and then wonders whether the change was in his old friend or in himself.
In A Visit of Condolence, Lawson shows a rough, cheeky boy who turns gentle at a dead friend's side and speaks plainly and kindly to a grieving mother. Decency can show up in unlikely places.
In A Visit of Condolence, Lawson shows a boy who never told his mother he was being bullied at work. Some of the hardest troubles go unspoken, and the people closest to us may never know.
In A Visit of Condolence, Bill is a rough boy with little of his own, yet he offers to mend the broken step and to send his mother round. Lawson shows that help often comes from the people who have least to give.
In Rats, Lawson shows the shearers play along with an old swagman's pretend fight so he can keep his pride, and Sunlight quietly gives him tucker and kind advice. Kindness can be done without making someone feel small.
In The Bush Undertaker, Lawson's old shepherd scolds his dead mate for drinking away everything he earned, then still lays him out with care. Loyalty can outlast a friend's faults.
In The Bush Undertaker, Lawson's old shepherd buries his mate with care, even though no parson will come. Grief often arrives all at once in a flood of memories, when the work is finally done.
In Our Pipes, Lawson's tired swagmen grumble about society, then feel better after a feed, a rest and a smoke. A hard day often eases once you sit down and talk honestly with a mate.
In Our Pipes, Mitchell remembers how his father, when he was caught out, asked for a fill, and how they shared many solemn smokes together afterwards. Ordinary moments with a parent are often the ones we keep.
Lawson ends a passage about shedding a tear with a note on craft: it is best to be exact when you write from experience. Plain, honest description is more believable than polished feeling.
In Coming Across, Lawson notices men hurrying to hide their shabby underwear, and reminds us that we cannot see deep into one another. Kindness starts with not judging what people keep hidden.
In Coming Across, the men feel doubtful and mean about taking oranges, then a clever argument makes them feel better. Lawson shows how easily we reach for an excuse, and why it is worth listening to the doubt first.
In The Story of Malachi, the station hands tease a shy, awkward man for years, and only learn at his deathbed that he had a mother and a brother he had worked hard for. Lawson shows how little we know about the people we mock.
In Two Dogs and a Fence, Mitchell notes that a quarrel is often kept going by the person who claims they never started it. Lawson's point is that two dogs who meet on the other side of the fence might be the best of friends.
In Jones's Alley, Lawson shows each person in a chain of rent and repairs as right by their own lights, so the widow who is worst off ends up paying for everyone else's comfort. It is worth asking who pays for a decision.